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I've always found Eli Roth's films to be mixed bags. Well, despite the undoubted promise of the central idea, it's a film that is kind of as frustrating as most of his other work. Soon the survivors discover that they are not alone and they are abduct by a tribe of Indians. I like Eli Roth for this reason and I do find him a somewhat engaging, funny and entertaining guy.

More than that would be spoiling the little story there is. Soon the survivors discover that they are not alone and they are abduct by a tribe of Indians. NOTE: slight spoiler in the second last paragraph, duly noted below. Such as it is, the skin quotient -- when it's not being ripped and chopped apart, and cooked and eaten, at least -- is more or less on par with the original films. But their nightmare becomes worse when they realize that the Indians are cannibals. The group uses their cellphones to film the destruction and send the footages through Internet.

It's a long time to be out of the game. NOTE: slight spoiler in the second last paragraph, duly noted below.

The Green Inferno - The question would have to be has he came back in a good way?

Synopsis A group of student activists travels to the Amazon to save the rain forest and soon discover that they are not alone, and that no good deed goes unpunished. In New York, the college student Justine joins a group of activists led by Alejandro and he invites her to travel to Peru to protest against a timber industry that is destroying the Amazon rain forest. The group uses their cellphones to film the destruction and send the footages through Internet. Alejandro uses Justine that is almost killed by one security guard to succeed in his intent of calling attention of audiences. When the group is returning to civilization, the plane blows-up and crashes into the forest. Soon the survivors discover that they are not alone and they are abduct by a tribe of Indians. But their nightmare becomes worse when they realize that the Indians are cannibals. Not that that's entirely bad thing. NOTE: slight spoiler in the second last paragraph, duly noted below. I've always found Eli Roth's films to be mixed bags. GREEN INFERNO is by far his best picture, but as in most of his other films his limitations as a dialogue writer are foregrounded too often, albeit thankfully to nowhere near the extent they were in the RZA's execrable vanity project MAN WITH THE IRON FISTS. His character development skills, however, show unexpected signs of refinement during his six year absence from the director's seat. Enter the natives -- reportedly played by an authentic Chilean tribe, albeit one not prone to dining on human flesh -- and the feasting begins. The grisly makeup effects are by a team led by legends Gregory Nicotero and Howard Berger who aren't credited at IMDb as of this writing, but ARE listed in the opening credits of the film , and they certainly deliver, particularly the squishy, screaming dismemberment that sets the ball rolling. As far as cannibal movies go, the special effects in GREEN INFERNO are certainly the most elaborate to date, but considering the most notable and notorious run of this genre happened thirty years ago, that probably goes without saying. Speaking of those two, Roth's film is actually dedicated to Deodato, and the credits list most if not all of the films in this sub-genre that one should probably see or at least be aware of going in or coming out. At TIFF, Roth claimed this list along with numerous tweet handles in the final roll was simply a great way to insert some marketing magic directly into the film itself, but one could also read it as a preemptive strike against critics and fans who might realize just how shamelessly he treads familiar ground with this show and attempt to dock points for it. It's also now very likely that some of GREEN INFERNO's predecessors will get fancy new Blu-ray re-releases thanks to the existence of this film. As for gratuitous skin -- always a component of the originals -- Roth treats us to more of Daryl Sabara's junk than most viewers probably ever thought they'd care to see, for what that's worth, while for the likely-to-be-predominantly-male demographic of this type of picture, Loranna Izzo spends a fair portion of the final act bounding through the rain forest in a skimpy little muslin jungle bikini and -- SPOILER AHEAD!! Such as it is, the skin quotient -- when it's not being ripped and chopped apart, and cooked and eaten, at least -- is more or less on par with the original films. Finally, a dangling subplot involving one character will undoubtedly serve as the foundation of the just-announced sequel, which reportedly begins production almost immediately. To be honest, I'd almost forgotten about this character until the drive home, which was probably the point all along. Not uneven when it comes to gore. Not even uneven, when it comes to some of the characters there are still twists to be found here, that are nice, especially if you consider the whole romance angle that is mostly played out in movies, not only horror movies. So the environment is something we should protect right? Our characters have to face that what they thought they were protecting. More than that would be spoiling the little story there is. Unfortunately the ending might spoil it for you too... These days you don't really get many directors unashamedly dedicated to the horror genre like you did in years gone by. I like Eli Roth for this reason and I do find him a somewhat engaging, funny and entertaining guy. On the flip side I would have to say that I have found his output to be somewhat patchy and uneven. And frustratingly sparse at that. The Green Inferno is his first feature film as director since Hostel: Part II from way back in 2007! It's a long time to be out of the game. The question would have to be has he came back in a good way? Well, despite the undoubted promise of the central idea, it's a film that is kind of as frustrating as most of his other work. The basic idea here is to bring back a type of movie that only really existed briefly over thirty years ago. The cannibal film was a particularly notorious sub-genre. Most of the films got banned here in the UK; some still remain so to this day in their uncut forms. Their combination of graphic violence, sexual assault and real animal killing made them real bad boys of the horror genre. Cannibal Holocaust 1980 is the one film that Roth has mentioned in particular as an influence and for this viewer it is easily one of the most disturbing films I have ever seen. Its docudrama, found footage style mixed with a proper mean-spiritedness made it a pretty gruelling film but very well made. The Green Inferno takes a decidedly different approach to its material and it's not always a successful one. Where Holocaust was relentlessly confrontational, Roth's film is often quite jokey. This approach means that the tone overall fluctuates wildly but it definitely dissipates the overall threat posed by the cannibals. The choice of protagonists points to the change immediately in that it centres on a group of eco aware students who travel into the middle of the Amazonian rain-forest to stage a viral protest against some environment destroying workers, needless to say things take a bad turn and they wind up captive by a tribe of cannibals. The very fact that the film centres on a group of students makes this film surely the first cannibal film that doubles up as a teen movie! It's an awkward combination with a pretty ropey script and? The social commentary is not so unexpected for this type of movie, as Cannibal Holocaust had that too but it is modernised considerably here? So how does it work simply as a horror movie? Well, it certainly has its fair share of gory violence. But it has less impact than it should because of the silly jokey tone that permeates it, even once the students have been captured. Because they aren't taking their situation seriously enough, it's hard for us in the audience to either unfortunately. The on-location photography certainly adds a fair bit it has to be said and the cannibals themselves are quite distinctive too, in particular the more prominent members of the tribe were somewhat creepy. I can't help feeling though that if Roth had reigned in the silly stuff and went full-on with this material with a more disciplined approach then it would have made for a far better film. It feels slightly like a missed opportunity and I am sad to say this as I was really on this one's side and had quite a bit of optimism for it.